“I’m not too worried about machines replacing cartoonists,” the artist R. Kikuo Johnson says, about his cover for the Money Issue. Johnson may have switched from drawing with ink, brushes, and paper to using a stylus and a digital tablet, but he isn’t worried that computers will take over the rest of his cartooning process. “When robots are advanced enough to be neurotic, then maybe I’ll be concerned,” he said, “though I don’t think too many of us choose this field for job security, anyway.”
Françoise Mouly has been the art editor at The New Yorker since 1993.
Goings On
What we’re watching, listening to, and doing this week, online, in N.Y.C., and beyond. Paid subscribers also receive book picks.
Video
A Fever Dream at Beautycon
On a weekend in August, the Los Angeles Convention Center was the setting for a surreal convergence of cosmetics, “influencers,” and a new generation of customer.
News Desk
The New Yorker Wins Two 2024 Pulitzer Prizes
The staff writer Sarah Stillman was honored for reporting on a draconian legal doctrine, and the first-time contributor Medar de la Cruz was recognized for an illustrated piece about Rikers Island.
By The New Yorker